Why Are Audiobooks So Expensive? 9 Factors for High Price 2025

Ever browsed for an audiobook and felt your jaw drop at the price? You are not alone. While an eBook might cost $5-10, the same title in audiobook format can easily run $25-30 or more.

It seems crazy, right? After all, there’s no printing, no shipping, no physical inventory—just digital files that can be distributed infinitely.

So, what’s really driving these high prices?

Let me break down the actual costs and market dynamics behind audiobook pricing in 2025 — and how recent advances in AI narration may reshape the industry.

The Real Production Cost

Here’s what most people don’t understand: producing a professional audiobook costs between $3,000 and $7,000 on average. That’s not a typo. A single 8-hour audiobook genuinely requires that much investment before a single copy is ever sold.

The global audiobook market is booming, but individual titles still face massive upfront production costs that must be recovered through sales to remain profitable.

Here are nine key factors that drive up the cost of audiobooks:

1. Professional Narrator Fees: The Biggest Expense

Narrators are the soul of any audiobook. A skilled voice actor doesn’t just read—they perform. They bring characters to life, convey subtle emotions, and maintain listener engagement for hours.

Current narrator rates in 2025:

  • Beginners: $50-150 per finished hour (PFH)​
  • Mid-level professionals: $200-350 PFH​
  • Experienced veterans: $400-600 PFH​
  • Celebrity narrators: $1,000-2,000+ PFH​

So, for a typical 10-hour audiobook at $250 PFH, that’s $2,500 just for the voice work.

2. Multi-Narrator Productions Drive Costs Higher

Some audiobooks use multiple narrators to voice different characters, creating a more immersive experience. While this enhances quality, it multiplies costs proportionally.

A dual-narrator audiobook essentially doubles your narration fees. Premium productions with full casts can involve 5-10 voice actors, pushing production budgets into five figures. These theatrical productions justify their premium prices, but they’re a significant factor in overall market pricing.​

3. Extensive Post-Production Work

Raw narration is just the beginning. Professional audiobooks post-production costs:

  • Proofing and Preparation (8-40 hours): Narrators must read through the entire manuscript beforehand, researching pronunciations and understanding character voices. This prep work is rarely “free”—it’s built into PFH rates or billed separately at $30-75 PFH.​
  • Editing ($600-1,200): Removing breathing sounds, mouth clicks, mistakes, and background noise takes about 2-4 hours of editing per finished hour.​
  • Mastering ($200-500): Final audio mastering ensures consistent volume levels, proper formatting, and technical compliance with platform standards.​
  • Quality Control: Additional proofing catches any remaining errors, adding another $200-500 to the budget.​

All these costs add up before you even consider studio rental ($500-1,500 if not using a home setup).​

4. Digital Rights Management (DRM) and Technical Infrastructure

Here’s a factor most consumers never consider: DRM implementation costs $500+ monthly for basic protection, scaling to thousands for enterprise solutions.​

Publishers invest in DRM technology to prevent piracy and unauthorized sharing. While controversial—some argue DRM costs outweigh benefits—it remains standard for major audiobook platforms. These infrastructure costs get factored into retail pricing.​

Additionally, hosting, bandwidth, and app development for seamless cross-device syncing all require ongoing investment.​

5. Platform Royalty Structures: The Big Take

This is where things get really frustrating for creators. Audible takes 60-75% of every audiobook sale, leaving authors and narrators to split the remaining 25-40%.​

Let’s break down the math: When you buy a $20 audiobook on Audible, here’s approximately how it splits:

  • Audible’s share: $12-15 (60-75%)
  • Publisher/author: $3-5 (15-25%)
  • Narrator (if royalty share): $2-3 (10-15%)

Compare this to other digital platforms:

  • Apple App Store: 30% platform fee
  • Spotify (for artists): ~30% platform fee
  • Audible: 60-80% platform fee

Alternative platforms offer better terms—Findaway Voices provides 45-80% royalties, and Google Play offers 50-70%—but Audible controls an estimated 60-70% of the audiobook market, giving them monopolistic pricing power.​

6. Library Licensing: A Hidden Cost Driver

Here’s something most consumers don’t know: libraries pay 2-10 times more for audiobooks than retail consumers.​

Real-world examples from 2025:

  • Consumer audiobook price: $14.99
  • Library licensing cost: $55-95 for a 2-year license​

Why? Publishers fear unlimited library access will cannibalize sales, so they charge libraries premium prices with metered licensing—the book expires after a set number of checkouts or time period. Libraries must then repurchase licenses repeatedly for popular titles.​

This aggressive library pricing model increases overall market prices as publishers attempt to recoup perceived lost revenue.​

7. Returns Policy and Revenue Uncertainty

Until 2021, Audible allowed customers to return audiobooks anytime within 365 days and reclaimed royalties from authors even if the book was fully listened to. This created massive uncertainty for creators.​

Audible changed the policy after significant backlash—now they only claw back royalties for returns within 7 days. After that window, Audible absorbs the cost.​

While better for authors, this policy creates risk for Audible, which they offset through higher retail prices and aggressive royalty splits. The easy return policy (which Audible heavily advertises) effectively encourages “audiobook renting” at authors’ expense.

8. Marketing and Promotion Costs

Unlike eBooks, where authors can run effective Amazon ads and promotional pricing, audiobook marketing is significantly more expensive and less flexible.​

Why? Audible controls pricing. You can’t discount your audiobook for a promotional period like you can with eBooks. Traditional book promotion sites like BookBub have limited audiobook offerings because flexible pricing drives their model.​

Authors must invest in:

  • Pre-launch social media campaigns
  • Paid review services ($100-500)
  • Audiobook-specific promotional platforms like Chirp (available only through wide distribution)​
  • Facebook and LinkedIn advertising ($300-600+ per launch)​

These marketing costs, often $500-1,500+ per title, must be recovered through sales.​

9. Length-Based Pricing Mandates

Even when authors want to price competitively, Audible’s length-based pricing rules prevent it.​

Audible’s pricing requirements:

Length of the AudiobookPrice
Under 1 hourUnder $7
1–3 hours$7–$10
3–5 hours$10–$20
5–10 hours$15–$25
10–20 hours$20–$30
Over 20 hours$25–$35

If you wrote a 12-hour audiobook and want to price it at $12 to build an audience? Audible won’t let you. You’re forced into the $20-30 range. This removes pricing flexibility and keeps the market expensive.​

Are These Prices Justified?

It’s complicated. Let me be honest with you.

Production costs are genuine. Skilled narrators, editors, and audio engineers deserve fair compensation for hundreds of hours of professional work. The $3,000-7,000 production cost for a quality audiobook is real.​

But platform economics are questionable. When Audible takes 60-75% of every sale simply for hosting and distribution, that seems excessive. They are not creating the content, yet they capture the lion’s share of revenue.​

The result? Artificially high consumer prices. Publishers must charge $20-30 to earn back production costs after Audible’s massive cut. In a more competitive market with fairer royalty splits, audiobooks could likely sell for $12-18 while still providing sustainable author income.

The AI Revolution: A Potential Game-Changer

Here’s the silver lining: AI narration is disrupting traditional economics.​

Current AI audiobook production costs just $100-300 per title—a whopping 80-95% reduction from traditional production. Audible has already released over 40,000 AI-narrated titles, and 23% of new audiobook releases in 2025 used AI narration.​

While human narration remains superior for fiction (especially character-driven stories), AI voices have improved dramatically for non-fiction, self-help, educational content, and business books.​

As AI narration gains acceptance, we should see:

  • More affordable audiobook production for indie authors
  • Increased competition in the market
  • Downward pressure on consumer prices
  • Greater accessibility for lesser-known authors

The Bottom Line

Audiobooks are expensive, and there are legitimate reasons—professional production genuinely costs thousands of dollars. But platform economics, especially Audible’s outsized royalty takes, artificially inflate prices beyond what’s necessary.

The good news? Market dynamics are finally shifting. AI narration, alternative platforms offering better creator terms, and growing competition should gradually make audiobooks more affordable over the next few years.

The format is incredible—I genuinely believe audiobooks are one of the best ways to consume more books while multitasking. As someone who’s explored this space extensively, I’m optimistic that improving technology and market competition will eventually make this format accessible to everyone, not just those who can afford premium subscriptions or $30 individual titles.

What’s your take on audiobook pricing? Too expensive, or worth it for the convenience? I’d love to hear your thoughts in the comments below.

Picture of Subodh Sharma
Subodh Sharma
Hi, I’m Subodh — creator of GladReaders. I share my love for books, audiobooks, and the evolving digital world of storytelling. My goal? To help you discover stories and content worth your time.

19 thoughts on “Why Are Audiobooks So Expensive? 9 Factors for High Price 2025”

  1. No
    It really doesn’t cost much more than a hard copy book or a cheap movie.
    Its extortionate because Audible, Sribd etc are just greedy.

  2. I think the market for books and podcast is very good now. The price going down will be what attracts more people to the market overall will help more authors established and less well known make a living. Perhaps they could do away with the big budget narrators as I’m sure there are plenty of people with a good warm reading voice. Sure it’s nice to hear certain people narrating a book you like now and again but I don’t think it always essential. Plus I think they need to draw younger people into the market for books as I really believe audio has a strong future and the best way to get them into books…

  3. I would imagine making feature length film, like the Harry Potter series, must cost less than what it takes to create an audiobook, under your logic of course!

  4. By far and wide, the best thing any audiobook listener can do to support the market is to buy from any retailer except Audible.

    Behind the scenes Amazon is attempting a monopoly by forcing audiobook creators into exclusivity deals so their competitors have nothing to sell. They do this by stripping royalties down to 25% for any audiobook producer who wishes to sell elsewhere.

    When you bear in mind that a high quality audiobook with a well-known narrator will cost in the region of £9,000 to produce, if the audiobook is sold at £10, Amazon takes £7.50 of every sale while the audiobook producer fights to pay back that £9,000 investment at £2.50 a book.

    At the point that the audiobook producer breaks even and has yet to make any money whatsoever (i.e. at 3,600 copies sold) Amazon will have made £27,000 from that single audiobook simply for hosting on its store front.

    Think about that: Amazon makes almost thirty thousand pounds while the person who made the product makes nothing.

    On other retailers, the royalty is 40% and much fairer on the writer and audiobook producer. At 2,250 copies, the audiobook producer will have broken even. And the retailer will have made £13,500. It’s still not great, but it’s better.

    In short, don’t buy from Audible. They are destroying their competition, the audiobook producers and the writers in one fell swoop while making extortionate amounts of money.

    1. Thanks for the really clear explanation. I felt that way in my gut, but now I have solid facts on which to base my decision!

  5. My main issue is that I drive so much, that I tend to listen to a very many audio books per month. This is not feasible, as it would cost me 200-300$ a month. Literally anything is less expensive, except for perhaps cocaine. I have no problem with a set monthly subscription to access their selection, and I would keep that just like I have netflix, likely for decades. Since this is unaffordable I instead do not use their services, and they are costing themselves much money. I suspect it is because their royalty model has to try to make every book profitable, even when it would normally not be, so they artificially inflate all pricing, so in the worst case they recover their costs. Even though many books make an excessive profit, that profit is already ‘taken’. A netflix approach would be much to their benefit long term.

    1. Hi Jordan,

      It’s not the case that Amazon are artificially inflating the prices so that they break even. They take 75% of every non-exclusive sale. It’s the writer and the audiobook producer that gets screwed by pricing, not Audible/Amazon. See my comment for an explanation of the behind the scenes model. GGx

  6. Price is not my complaint. If I go to a bookstore and buy a hard copy or a CD of a book it is mine. I can share it with a friend because I have paid for and hence own that copy. I purchase a overpriced audible book and I am unable to share it? I am not suggesting that that I should be allowed to give it to the world. That would destroy the business. I do believe I should be allowed to share it with at least one other person and can understand why that person should not be allowed to pass it on. The technology that would allow that is available. There are audible books available from other company’s for much less and if am turning to them. Today I purchased a book for $5.00 that Audible wanted $20 some dollars for. The same narrator and the quality is excellent. Do explain this difference if you are able. Please do try. I would, and I am sure many others would also, like to hear the explanation. I will be waiting.

    1. Hello Daniel. I really understand your concern. I myself ain’t a big fan of Audible pricing. And I have mentioned that in the conclusion of the article as well.
      Anyways, if you want to share your Audible books with any ONE of your friend or relative, I think I do have a solution for you. You can do it using amazon household and it is totally legal!
      You can refer to this article: https://gladreaders.com/how-to-share-audible-books/

  7. In addition to handcrafting my books, I am just getting into narrating my own books and putting them on DVD as MP3 for blue ray. I’ve used them at home, and figured out how to make them available for phones. I have always enjoyed handcrafting and have been told I am a good narrator. I was searching to determine what I should charge when I came across this article. It was helpful because it explained why I should NOT charge very much.

  8. Audible might be dominant, but it has no monopoly. There are plenty of other audiobook suppliers, who could undercut Audible’s cash prices, so this is not about monopoly power. I think it is about the subscription based business model.

    The price for making a one-off purchase of an audiobook is indeed ridiculously high, but I think this is largely because Audible and the other suppliers all want to encourage customers to subscribe, so they get a steady income. If you buy an Audible subscription, the price per book in the US is $10-15. And if you use the regular 2 for 1 offers, that is $5-7.50. In the UK, the figures are about half that. That compares pretty well with buying physical books.

  9. The production costs of creating an audio book are miniscule compared to making a film. Undoubtedly the reason sales are low is because of the cost. Audible simply need to have a careful look at their business plan.

    1. I totally agree with you, Keith. But sadly, with Audible’s monopoly over audiobooks market, I don’t see the price getting lower anytime soon.

      1. Keith and Subodh, together I think you guys hit the mark much closer than this article. It is indeed monopoly pricing, and also probably a poor business plan because they are cutting so many people out of the market.

Leave a Comment

Your email address will not be published. Required fields are marked *